Jazz started in New Orleans, and this Tiger Rag happened to be transformed from an oldquadrille that was in many different tempos.And I'll no doubt give you an idea how it went.This was the introduction, meaning that everyone was supposed to get their partners.Get your partners, everybody get your partners, and people would be rushing around the hallgetting their partners.It'd maybe have maybe five minutes laps between that time, and of course they'd start it overagain and that was the first part of it.And the next train would be a waltz train, I believe.That would be the waltz train.Also, they'd have another train that comes right below, uh, right beside it.It's a mazooka time.Of course, that was that third train, and of course they had another train.And uh, that was in a different tempo.That was a two-four time.Of course they had another one.Yeah.Now we'll show you how it was transformed.It happened to be transformed by a performer at this particular time.Tiger Rag for your approval.Who named it Tiger Rag?I also named it.Came from the way that I played it by making the tiger on my elbow.And I also named it.A person said once, that sounds like a tiger howling.I said, fine.To myself, I said, that's the name.Tiger Rag.Tiger Rag.Tiger Rag.Tiger Rag.Tiger Rag.Tiger Rag.Tiger Rag.Tiger Rag.Tiger Rag.Tiger Rag.Tiger Rag.Tiger Rag.Tiger Rag.Tiger Rag.Tiger Rag.Tiger Rag.Tiger Rag.Tiger Rag.Tiger Rag.Tiger Rag.Tiger Rag.That was many years before the Dixieland had ever started.When I played the Tiger Rag.Of course we named it Tiger Rag.But we had a lot of other numbers around that it was supposed to be good.