I don't remember who had the hook, who had the idea, but Josh had it.But for me personally, that was just following the lead of a writer like Dean Dillonand writing kind of in that perspective and in that voice.There's a certain amount of kind of cowboy bravado, but also chivalry to it,which I love about that.There's a couple faces to this guy.I do love that perspective, that he's admiring this personand seeing everything that this other guy can't see, even from afar,because he's a tuned-in guy.He's on the level.You know what I mean?I love the romanticism of it.It reminds me, that's how my parents met.My mom was on a date with another guy, and my dad walked up to the tableand introduced himself.And the story is history from there.But I felt like that was one of the easier songs that we wrote,because, again, that's a landscape that we know really well, all five of us,having spent a lot of time in bars.And look, everybody's had training and had seat time as a pickup artist, I guess, right?Everybody's got to meet somebody somehow.But sonically, it was interesting.That's what I think, instead of just being the song kind of straightforward,cut as like a George Strait, that's, in the recording process,that's when you're going to actually see, I think, a lot of peppering of Tom Pettyand the Heartbreakers and the Eagles on those big soaring harmonies.But I think the 12-string, for me, gave that a tinge of Tom Pettyand the Heartbreakers, which I love.