Welcome, welcome, gather round.
Please, please, come closer.
We'd like to thank you for joining us this evening.
This is a Daddy Kevin Brouch production.
Something a little bit different.
Kidding.
Yeah.
Okay.
Alright.
Are you gonna come like that, Kim?
What are we gonna give them, man?
Something they ain't used to.
That's how it's gotta be, man.
I'm going UA87 to the back of the mind print.
I'll take the coaxial out digital into the 001.
Put a little tube saturation on the signal going in.
Then we'll compress it on the way out soft knee.
Kev, you track the beat.
I'll handle the vocals.
We can mix it at your spot.
Make sure you have the out ceiling of the limiter at negative 2 dBs before mastering, though.
Maybe we'll go stereo through a couple of new channels at the end.
But for now, let's keep it 45.
I got my vocals right at 2 Auxiliary Channel, and all the files are AIFF.
Let's do it.
Oh, yeah.
One more thing.
Let's get a turntable that's of the highest caliber to do the cuts.
Not just any old DJ.
Someone like D-Style.
Yeah.
Yeah.
Yeah.
Yeah.
Yeah.
Yeah.
Yeah.
Yeah.
Yeah.
Yeah.
Yeah.
Yeah.
Yeah.
Yeah.
Woo-hoo!
Yeah.
Yeah.
Yeah.
Yeah.
Yeah.
Yeah.
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