A group of contrasting tracks conclude the demonstration.
Some special stereo effects are highlighted in an interesting way.
For instance,
Alan Morehouse provides a solid,
massive effect.
But listen to the brass,
crisp and incisive if your pickup is tracking securely.
Then there's Keith Roberts with the shaft theme.
The tricord adds to the tonal variety.
Of course,
if you're interested in the technicalities,
you'll realize that recording quality depends on attention to detail
at every stage.
Recording on tape in the studio,
cutting the master disc,
processing the record.
Then it's up to you.
