So we've arrived at Let It Go. Ah, Let It Go. I'm so excited with what the Broadway musical has done with this song because it really is thrilling to watch every night. They do some pretty, they pull off a pretty amazing magic trick right in front of your eyes and everybody goes a little nuts. You have to come to the St. James Theater here in New York to experience it yourself. But you can experience Casey Levy's amazing vocals here day after day, minute after minute if you want. You can put it on repeat. One of the things that I love best about this Let It Go is that we get to actually end it because one of the challenges for writing songs for movies, especially in the middle of movies, is they can't create these big button moments, you can't create big endings because then how do we... It's awkward. Everyone's like, do I applaud? Do I applaud? Clapping is odd in movies and so we avoid it most of the time. However, here we got to build a big ending and we got to bring in vocals and we get to hear Casey Levy do what very few humans can do. It's funny. If you listen to the very beginning, the piano part, I always find this funny because you'd think it being Disney and us having state-of-the-art recording equipment here to record the song, you'd think that we'd have the best Steinway to play the beginning of Let It Go. But really, the sound of that piano is still the sound of our little synthesizer from our basement studio. Was it our basement? I think it was the studio above a Greek restaurant on 14th Street in Brooklyn. Same synthesizer, though. It's really just like, it's the sound that comes with the program. It's just, it's really not a great, not an expensive sound. But it's the sound of Let It Go. And nobody can beat it.