So one of the things I do when I'm starting a movie is, when I'm thinking about writing a film, when I have an idea for a film, is what I'll do is I'll go through my record collection and just start playing songs, trying to basically, I guess in some ways, find the personality of the movie, find the spirit of the movie. And then, boom, eventually I'll hit like one, two, three songs that like, you know, one song in particular, oh, this would be a great opening credit song, you know, because to me the opening credits are very, very important because that's sort of like your, that's like the only like mood time that most movies give themselves, you know, in like, you know, a cool credit sequence and the music that plays in front of it, you know, or no play, any music in front of it, you know, whatever you decide to do, that sets up like a tone for the movie that is important for you. And so that's, you know, so I'm always trying to find like what the right opening credit or closing credit sequence should be, you know, early on when I'm just even thinking about the story because once I find it, that really kind of triggers me in to what the personality of this piece should be, what the rhythm of this piece should be. Like I was saying, you don't have to use music. It could just be silence, all right, all right, but then that's important. That is like kind of in some ways like the rhythm and more or less the personality you're trying to project in this film. Having Mr. Liu as your opening credits, it's just so intense, you know, it just says you're watching an epic, you're watching this big old movie, just sit back as, you know, I mean because it's so loud and blaring at you, you know, it's just like actually it throws down a gauntlet that the movie now has to live up to because it's just saying we're big.