All right, Brendan, give me a beat. You know, I was thinking something more reggae, you know? Maybe. Getting closer. Can you slow it down a bit? Yeah. That's what I'm talking about. Check out my woman, come on, give me some effects. So not to repeat yesterday's mistakes. What I tend to do when it comes to you. That's the only the good. So let me feel you. Get a hold of me. I've never met someone so different. Oh, here we go. You're part of me. No, you're part of me. So here you go. I follow, follow, follow. Whoa, whoa, whoa. I can't remember to forget you. Whoa, whoa, whoa. I keep forgetting I should let you go. But when you look at me, the only memory is us kissing in my moonlight. Whoa, whoa, whoa. I can't remember to forget you. Whoa, whoa, whoa. We go back again. We fall off the train. And I didn't expect to repeat yesterday's mistakes. What I'm trying to say is not to forget. That's the only the good. So let me feel you. Get a hold of me. I've never met someone so different. Oh, here we go. You're part of me. No, you're part of me. So here you go. I follow, follow, follow. Whoa, whoa, whoa. I can't remember to forget you. Whoa, whoa, whoa. I keep forgetting I should let you go. But when you look at me, the only memory is us kissing in my moonlight. Whoa, whoa, whoa. I can't remember to forget you. Whoa, whoa, whoa. Whoa, whoa, whoa. I can't remember to forget you. Whoa, whoa, whoa. I can't remember to forget you. Whoa, whoa, whoa. I can't remember to forget you. But when you look at me, we're one in memory, and that's kissing in the moonlight. Whoa, whoa, whoa. I can't remember to forget you.